Forests: A Parallax View in Music
[vc_row type=”in_container” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”2/3″][vc_column_text]By Paul D. Miller aka DJ Spooky
“To speak truly, few adult persons can see Nature.”
Ralph Waldo Emerson, Nature[/vc_column_text][/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1/3″]

It’s been decades since Canadian composer R. Murray Schafer coined the term “soundscape” but for me, a 21st century update is the term “acoustic environment.” It’s an idea that informs my work, and that give me inspiration for a project that, at core,is as much about the collision between code and culture, as it is about the massive disruption of the ecosystem.
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